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With BANUT Rubess, directors and writer, ben300 meet in the Small Guild Hall, the place where the show solo performance "Benjamins. How to live a modern man. "This is not the first show to be staged B. Rubesa of Latvian cultural life of the pioneers in trying to break through their pumped up over the years, the famous and the powerful personality mythical veil to go and look at what these people were in real life. To try to figure out how much of humanity in them to find and show us that it is for the foundation, which picked ben300 up Emily Benjamins over decades and is it worth to him today to highlight and remember.
You have staged several performances of Latvian cultural life of the pioneers of the past. Why this time the show directly on Emily Benjamins? The idea to stage a performance of John Benjamins came Jenzi (former hotel "Europa Royale Riga", the so-called "Benjamins House" Director General - IP), as was the desire to build a house of Benjamin Benjamin Mrs something for the occasion. Performances building we were invited we Indra Burkovska. I am very attracted to the idea, because I am interested in both the era of Benjamin lived and her controversial personality, because she was not only materially but also spiritually very rich woman. Performance are shaped from fragments ben300 that are both age witnesses messages and newspaper articles as well as a myriad of other sources. Chose a leitmotif, putting pieces together in the show, dividing it into three parts? This project intrigued me, because ben300 I like to create performances in unconventional environments in the past I have already done so. At the beginning of the show was a tender to build the hotel, and there I needed to look at the facilities. There is a sterile, very tidy conference ben300 room. Their sight, the idea arose to build one part of the show there, which Benjamin called upon to lecture to live in modern humans, and these lectures she also composed the same issue a "Holiday" feature. There is also a stained-glass window and fireplace rooms and each of these drugs looking for the right material. Unfortunately, later had to change ben300 rooms to the Small Guild. Laužoties through materials, seeking ben300 sketches ben300 to offer in each of these parts. Much of the material had to quit. For example, after reading that, in 1911, was arrested Skalbe, I got the inspiration for this fact played and wrote the whole scene. However, later it had to strike, as well as many others. So the show was the creation of the interaction between research and improvisation. When you create a show that is based on real events ben300 or literary work, it is impossible to escape from the director's interpretation. Do this and your other created by the performances of vairāties or deliberately looking for a vision to offer? Build the show is a big challenge. When working with historical material, ask yourself questions that I worked honestly and fairly treat people by trying to show. Is the EU to misinformation and do not mislead the viewer? Therefore, ben300 our attempt together with Indra Burkovska had to look for an excuse for everything that we say or do. We tried not to believe rumors and tabloids. All the time we tried to be fair to the material. After your earlier creative ben300 work can be concluded that the love of Latvian literature classics. Is your Canadian and European experience has allowed to look at other types of Latvian literature eyes? I believe that my experience broadens my perspective on Latvian literature. Sometimes I feel like I appreciate some of our cases higher than we ourselves ben300 are capable ben300 of. And sometimes it seems that we appreciate materials which themselves have not been met. I think I can take a look at our literature of the broader ben300 context. Or through Benjamin's image and other Latvian literary characters, as well as real personalities can talk about the Latvian mentality? ben300 It seems to me that Benjamin mentality is to survive, we, Latvians are characterized. As well as the ability to adapt. In your opinion, what is his job if he puts the viewer in return? The director's ben300 job is to create their own artistic truth and I think the importance of his work is to captivate both himself and the viewer. I like to see who likes to think. I like to see that the show does not come only because of the entertainment. For this and my other performances are typical of the viewer at the beginning is a bit confused, then a little scared, then he gets used to it, and what happens at the end of him very much. Can we talk about the Latvian viewers compared to other countries in the audience? ben300 Yes, the differences are large, which is constantly changing. Canadian viewer ben300 wants to make everything easy. Latvian viewer looking tragic. Canadian viewer will begin to laugh immediately, while the Latvian first be asked, can I laugh. What do you think is the foundation, so to speak "Krampis" by Benjamin became what his bi
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